Eleanor Lashford, an Operational Meteorologist from the Met Office, provides a first hand account of the preparation involved in providing the weather services for the Royal International Air Tattoo (RIAT). On Monday 9th July 2018, Eleanor and three other Meteorologists from the Met Office, headed to RAF Fairford in Gloucestershire for RIAT 2018, famously known for being the world’s greatest and largest military airshow.
All enjoyable things must come to an end and so it is that I find myself thinking what to write about in my last article for theWeather Club. Over the years I’ve covered all things hot to cold, calm to stormy, hurricanes to tornadoes, so I thought it was about time I wrote about communicating the weather, or the weather forecast to be more precise. It’s all very good making an outstanding forecast, but if you cannot get the forecast across to the user of the information then to all intents and purposes it is worthless, at least to that user.
By Adam Corner*, Research Director at Climate Outreach, and an Honorary Research Fellow in the School of Psychology, Cardiff University.
Over the last decade, the level of interest in climate change communication has grown rapidly – there’s now a huge number of people, organisations and institutions involved in the theory and practice of public engagement.
by Prof Paul Hardaker
Chief Executive of The Institute of Physics
The Institute of Physics (IoP) is the national physical society for both Ireland and the UK, so I often find myself travelling through Dublin airport. Where I board the plane there are tributes to the famous Irish poets, including a personal favorite, William Butler Yeats. He wrote a beautiful poem called cloths of heaven, which I have to share with you here:
by David Warrilow
RMetS Vice- President and Chair of the Climate Science Special Interest Group
At the weekend I was in Porthcawl in Wales at an Elvis festival. It’s best not to ask why but suffice to say I wasn’t a participant, just an observer. Elvis was everywhere, and for some reason I found myself strangely drawn to the Elvis look-a-like dog show. I can safely say I have never seen anything quite like it and frankly hope to never again. There was no escape, not even in the chip shop, where Elvis serenaded us through our large cod, chips and peas.
I have been fortunate enough to travel widely through my career as a climate scientist – taking in aircraft campaigns in Senegal and Italy, and conferences everywhere from China to Hawaii. However, until recently, I had not ventured out of the Northern Hemisphere! All that changed in August thanks to an invitation from the Australian Meteorological and Oceanographic Society (AMOS) to share in the celebrations of their 30th anniversary. And so I found myself on a very long plane journey to Melbourne. The flight, though long, was not as bad as I expected.
“What do you think a cloud feels like?” I asked the assembled Brownies
“Cotton wool, cotton candy, fluffy, cool, wet ….”
A simple garden pond decoration that produces mist by forcing water through a very fine mesh, combined with a large shallow bowl of water, creates a cloud for children to feel. Most of them end up slightly disappointed as a cloud feels like nothing very much, but it is a good conversation starter!
At 1039 GMT on 7 December 1972 Jack Schmitt from the crew of Apollo 17 took one of the most iconic, and certainly most reproduced photographs of all time. NASA named it photograph AS17-148-22727, but very shortly after the picture went public it became known as ‘the blue marble’. It is of course the picture of the near full-earth disk taken on route to the moon, with the sun directly behind the Apollo 17 spacecraft. Interestingly it was not the first of these kinds of images from of earth.